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au meme | leverage as ridiculous porn films | part two

starring christian kane as

hot undercover cop in “hot cops”

hot cop #1 in “hot cops 2: these are just strippers! look how hot they are!”

hot gym teacher in “no balls in the gym”

hot g-man in “this just in”

hot pizza delivery guy in “nothing could possibly sound more porny than super hot pizza delivery guy”

hot bodyguard in “booty call”

hot haz mat guy in “chemistry 101”

(Source: butilovefire)

prayforpredators:

fuckyeahdiomedes:

daunt:

helenish:

aliassmith:

excuse me while i just

http://media.tumblr.com/tumblr_m0wcmbYAdD1rqfhi2o1_400.gif

I can’t tell if the words these people are saying objectively make no sense or whether I just can’t understand them because my mind is fully engaged with writing an urgently worded memo re: KARL URBAN JOHN CHO SAMMICH ME ON IT.

*collapses in upon self and implodes*

OH MY GOD

ALL OF YOU.

Not to get off topic or anything, but I NEED TO KNOW WHERE THAT GIF OF ANNA KENDRICK WALKING AWAY FROM AN EXPLOSION IS FROM

That’s not Anna Kendrick, it’s Teresa in Palmer in I Am Number Four

Really?

darn

(Source: jjabramsed)

Secret Agents AU — in which John Cho is the CIA’s top field agent but after a couple of years and watching too many people die he’s become jaded and stubborn. The director has decided that what he needs is a partner who’s young, smart and full of fresh ideas. So he gets Steven Yeun, the CIA’s top trainee, an overachiever with test scores off the charts but no real world experience. John has a way of getting things done, he doesn’t think because he just knows, which means he has absolutely no time for babysitting. Steven may be a little sloppy during missions to start but he’s able to think on his feet and come up with things that John never would. John thinks Steven is just some snot-nosed kid Steven thinks John should be about ready to retire. The two have a lot to teach each other but can they get past their differences and learn?

(Source: christeana)

crossedwires:

niqaeli:

I admit, I don’t know Cho that well, so I am glad there are other readings to be had!

And if he is just calling it out simply because he’s tired of it and he feels comfortable doing so even on his own films now, I think that’s fantastic. There’s certainly plenty for him to be calling out.

Heh. Well, I don’t know John Cho either. But he has talked about race & representation before* (and not in a ‘we’re all human, it doesn’t matter’ way), so it’s not completely ‘out of character’ for him to bring it up. I think it probably would be easier on him if he didn’t say anything, but I’m glad he does.

*Re Harold & Kumar (https://www.youtube.com/watch?v=NHEkLBZI1IM 4:07 mark): If you have a Korean and an Indian guy as your leads, you must address race at some point in the movie. You must, because the audience is noting it, really. The other thing is, I think, comedy at its best, treads in taboo waters a little bit. It has to have that transgressive quality to it, and race is the biggest taboo in America. I mean, people are very reluctant to talk about race and yet when you do jokes about race, uh, that work, people are very happy to release tension and laugh about it. But it has been interesting. I’ll make an observation. During the first tour for the first movie, we were talking about race all the time with journalists. It was almost like a process— looking back, the first movie was more concerned with race, but we talked about it so much, I felt that it was in a way…a way of justifying our presence in a motion picture.

And from an interview in 2009 http://www.asiaarts.ucla.edu/090703/article.asp?parentID=110145&gt:

JC: I recall from the Harold and Kumar movies is my struggle with the advertisers.

APA: What happened there?

JC: There was all this racial humor in the movie, and the advertising department wanted to say “Starring the Asian guy in American Pie, and the Indian guy from Van Wilder…” and they did go with that, and they submitted that to me for approval, and I said, “I don’t like it.” They asked me why, and I explain it to them, and that was tricky because it’s difficult explaining to my own representatives, why that didn’t jibe with me, because everyone kind of felt like it was keeping in tone with the movie. And I said, “I don’t like it. We’re poking fun at racism in the movie all the time, but it puts the audience on the wrong side of the racism joke.” So they were playing with the wording a little bit in the edits, and they kept coming up with versions to make me happy, but they were essentially the same thing, and I finally said, “you are not going to make me happy. You’re dancing around it, and you’re clearly attached to this idea, and I want you to know that no version of this idea will make me happy. And if you’re afraid that I won’t show up to do promotion because of this bitterness, you can rest assured that that’s not true. I consider promoting a movie part of my duties, and I will show up nevertheless. But you can either use this campaign and know that I’m unhappy, or you can change it and know that I’m happy. That’s it. Stop trying.” And eventually they went with it, and it’s one of those things where I look back and I’ve very proud of the movie, but that’s the thing I remember.

APA: Last question…for Harold and Kumar Escape From Guantanamo Bay, Viva La Union recorded a song for the soundtrack with the line, “I want my own Chinese baby” — what’s that about?

JC: When I was thinking about it, I thought of a literal baby. There’s a kind of lack that children fill, that’s just the dark side of being a parent, I think. And there’s an accessory quality to Chinese babies in America, and I just think it’s funny. I just liked it. And you know, I would know people who would fawn over Asian babies more, and it got me to thinking, there’s this belief that Asian babies are really cute, and it got me thinking that our whole race is infantilized to some degree, and it manifests itself in different ways. You infantilize a woman, and she becomes eroticized. You infantilize a man, and he becomes emasculated. You infantilize a baby [laughs] — and it’s possible, it appears that you can infantilize a baby even more. [laughs] The babies need to be cuter than white babies. And it’s just a weird thing that I felt like said something about mainstream America’s relationship to Asians in general. So that’s where it came from.

Also this interview: http://blog.angryasianman.com/2008/04/q-with-john-cho.html

“And yes, I do feel a responsibility, and always have, and it’s been an odd burden for me. Even when I started and no one gave a shit, I was trying to avoid doing roles—and it’s no accident that I’ve never done something with a chop suey accent. It’s no accident that I’ve never played those parts. I strongly believe there are a lot of Asian American actors who think that that’s the price to pay before you get to wherever you’re going. And I take real issue with that. Because you have to maintain integrity from the start, and on a personal level, you have to not do something that’s going to make you sick to your stomach.

But on a political level, how are things supposed to ever change if there’s someone willing to do it? I can tell you now, having worked in the business, that you can gather an army of people to hold picket signs and stand outside the studio, and say, “we destest this portrayal”… but it doesn’t matter if there’s a guy—who they know, a peer—who’s willing to do it, who stands in front of the crew and does the buck-tooth accent. If he or she is willing to do it, it makes the protestors look like extremists. It makes this guy look like the normal guy. Because we all work in the same industry. So the willingness of one actor negates a thousand protestors and a thousand angry letters.”

(So I can see why Butawhiteman Cantbekhan playing Khan would be deeply upsetting to him, even if Cho wasn’t in this movie.)

(Source: whitelaws)

ryface:

quipquipquip:

LOOK AT WHAT JUST CAME IN THE MAIL
OFFICIAL POSTERCHILDREN COLOR BANDS
Each band has the identification category embossed on the front. PROPERTY OF MAILLARDET’S is debossed on the inside of the band, just to make it that much more official. They’re pretty rad, and they’ll be available in the Gumroad store soon!

MY ARM HAS NEVER BEEN MORE FABULOUS

ryface:

quipquipquip:

LOOK AT WHAT JUST CAME IN THE MAIL

OFFICIAL POSTERCHILDREN COLOR BANDS

Each band has the identification category embossed on the front. PROPERTY OF MAILLARDET’S is debossed on the inside of the band, just to make it that much more official. They’re pretty rad, and they’ll be available in the Gumroad store soon!

MY ARM HAS NEVER BEEN MORE FABULOUS

LOST (September 22, 2004 - May 23, 2010)

“This is a place that you… that you all made together so that you could find one another.The most important part of your life was the time that you spent with these people on that island. That’s why all of you are here. Nobody does it alone, Jack. You needed all of them, and they needed you.”

Wait, is that Emily Rose in the second gif down on the right?

(Source: jamesjuliet)

donotchoosesidesyet:

a boombox can change the world

you gotta know your limits with a boombox

this was a cautionary tale

a boombox is not a toy

75-year-old Pakistani man killed by a white man with a machete in Birmingham two weeks ago. Barely any media coverage

deafmuslimpunx:

thirstrani:

But no one is going to talk about this, are they 

Disgusting…

may the poor man rest in peace.

(Source: theuppitynegras)